Our parents say we’re going to our new house. This time the house will be really ours, not rented. It’s in a city called Toronto. This name means nothing to me. I think about the house in my school reader, white, with a picket fence and a lawn, and window curtains. I want to see what my bedroom will be like. By the time we arrive at the house it’s late afternoon. At first I think there must be some mistake; but no, this is the house all right, because my father is already opening the door with a key. The house is hardly on a street at all, more like a field. It’s square-shaped, a bungalow, built of yellow brick and surrounded by raw mud. On one side of it is an enormous hole in the ground, with large mud piles heaped around it. The road in front is muddy too, unpaved, potholed. There are some concrete blocks sunk in the mud for stepping-stones so we can get to the door.
Inside, things are even more daunting. There are doors and windows, true, and walls, and the furnace works. There’s a picture window in the living room, though the view is of a large expanse of rippling mud. The toilet actually flushes, though it has a yellowish-brown ring around the inside of the bowl and several floating cigarette butts; and reddish, warmish water comes from the hot water tap when I turn it on. But the floors are not polished wood or even linoleum. They’re made of wide, rough boards with cracks in between, gray with plaster dust and scattered with white speckles, like bird droppings. Only a few of the rooms have light fixtures; the others have wires dangling out of the middle of the ceiling. There are no counters in the kitchen, only the bare sink; there’s no stove. Nothing is painted. Dust is on everything: the windows, the window ledges, the fixtures, the floor. There are a lot of dead flies around.