
'Papa! Papa!' Diana's voice came from somewhere behind me and echoed off the opposite bank. I stayed quiet and continued to draw. The result was no more satisfactory the second time. I rubbed the tablet clear again.
'Papa! Why didn't you answer me?' Diana stepped in front of me, putting her hands on her hips in imitation of her mother.
'Because I was hiding from you,' I said, beginning a fresh mark in the wax.
"That's silly. You know I can always find you.'
'Really? Then I hardly need to answer when you call, do I?'
'Papa!' She rolled her eyes, imitating Bethesda again, then collapsed on the grass beside me as if suddenly exhausted. While I drew, she contorted herself into a wheel and pulled at her toes, then lay flat again and squinted up at the sunlight that filtered through the oak canopy above. 'It's true that I can always find you, you know.'
'Can you? And how is that?'
'Because Meto taught me how. Meto says that you taught him. I can follow your footsteps in the grass and always find you.' 'Really?' I said, impressed. 'I'm not sure that I like that.' 'What are you drawing?'
'It's called a mill. A little house with a great wheel that dips into the water. The flowing water turns the wheel, which turns other wheels, which will grind corn, or stones, or a little girl's fingers if she isn't careful.'
'Papa!'
‘Don't worry, it's just an idea. A problem, if you like, and probably too complicated for me ever to solve it,'
'Meto says that you can solve any problem'
'Does he?' I put the tablet aside. She squirmed and rolled on the grass and laid her head in my lap. The broken sunlight spangled her hair, jet black in shadow and shot through with lustrous rainbows, like oil on water, where the light struck it I had never seen a child with hair so black. Her eyes were also black, very deep and clear as only a child's eyes can be. A bird flitted above us. I watched Diana follow it with her gaze, amazed at the beauty of her least movement.
