Helen Yarmis, tall and slender, a little too slender, with big brown eyes and a wide curved mouth that would have been a real asset if she had kept the corners up, was on her dignity and apparently had some. Ethel Varr was the one I would have picked for my doom if I had been shopping. She was not a head-turner, but she carried her own head with an air, and she had one of those faces that you keep looking back at because it changes as it moves and catches different angles of light and shade.

I would have picked Faith Usher, not for my doom, but for my sister, because she looked as if she needed a brother more than the others. Actually she was the prettiest one of the bunch, with a dainty little face and greenish flecks in her eyes, and her figure, also dainty, was a very nice job, but she was doing her best to cancel her advantages by letting her shoulders sag and keeping her face muscles so tight she would soon have wrinkles. The right kind of brother could have done wonders with her, but I had no chance to get started during the meal because she was across the table from me, with Beverly Kent on her left and Cecil Grantham on her right.

At my left was Rose Tuttle, who showed no signs of needing a brother at all. She had blue eyes in a round face, a pony tail, and enough curves to make a contribution to Mrs Robilotti and still be well supplied; and she had been born cheerful and it would take more than an accidental baby to smother it. In fact, as I soon learned, it would take more than two of them. With an oyster balanced on her fork, she turned her face to me and asked, “Goodwin? That’s your name?”

“Right. Archie Goodwin.”

“I was wondering,” she said, “because that woman told me I would sit between Mr Edwin Laidlaw and Mr Austin Byne, but now your name’s Goodwin. The other day I was telling a friend of mine about coming here, this party, and she said there ought to be unmarried fathers here too, and you seem to have changed your name—are you an unmarried father?”