
“Did you tell Pop you’re going?”
“That’s next.”
Wahoo slipped outside to clean Alice’s pond. Alice the alligator was one of Mickey Cray’s stars. She was twelve feet long and as tame as a guppy, but she looked truly ferocious. Over the years Alice had appeared often in front of a camera. Her credits included nine feature films, two National Geographic documentaries, a three-part Disney special about the Everglades and a TV commercial for a fancy French skin lotion.
She lay sunning on the mudbank while Wahoo skimmed the dead leaves and sticks from the water. Her eyes were closed, but Wahoo knew she was listening.
“Hungry, girl?” he asked.
The gator’s mouth opened wide, the inside as white as spun cotton. Some of her teeth were snaggled and chipped. The tips were green from pond algae.
“You forgot to floss,” Wahoo said.
Alice hissed. He went to get her some food. When she heard the squeaking of the wheelbarrow, she cracked her eyelids and turned her huge armored head.
Wahoo tossed a whole plucked chicken into the alligator’s gaping jaws. The sound of her crunching on the thawed bird obscured the voices coming from the house-Wahoo’s mother and father “discussing” the China trip.
Wahoo fed Alice two more dead chickens, locked the gate to the pond and took a walk. When he returned, his father was upright on the sofa and his mother was in the kitchen fixing bologna sandwiches for lunch.
“You believe this?” Mickey said to Wahoo. “She’s bugging out on us!”
“Pop, we’re broke.”
Mickey’s shoulders slumped. “Not that broke.”
“You want the animals to starve?” Wahoo asked.
They ate their sandwiches barely speaking a word. When they were done, Mrs. Cray stood up and said: “I’m going to miss you guys. I wish I didn’t have to go.”
