
How did you get off a train?
There was a no alcohol policy on the train, which was just as well as the carriage was starting to look like a party. It was full of commuters going home for Christmas, holidaymakers, everyone escaping the city and heading bush.
Someone started a Christmas singalong, which was ridiculous, but somehow Meg found herself singing along too.
Was she punch-drunk?
No. She was someone who’d lost the plot but there was nothing she could do about it. She had no illusions about her job. She’d messed things up and, even though she was doing the best she could, William McMaster had been denied his Christmas and she was responsible.
Worse, she was taking him home. He hadn’t asked where home was. He wasn’t interested.
She glanced across the aisle at him and thought he so didn’t belong on this train. He looked…
Fabulous, she admitted to herself, and there it was, the thing she’d carefully suppressed since she’d taken this job. W S McMaster was awesome. He was brilliant and powerful and more. He worked her hard but he paid magnificently; he expected the best from her and he got it.
And he was so-o-o sexy. If she wasn’t careful, she knew she stood every chance of having a major crush on the guy. But she’d realised that from the start, from that first interview, so she’d carefully compartmentalised her life. He was her boss. Any other sensation had to be carefully put aside.
And she’d learned from him. W S McMaster had compartments down to a fine art. There was never any hint of personal interaction between employer and employee.
But now there needed to be personal interaction. W S McMaster was coming home to her family.
He’d better be nice to Scotty.
He didn’t have to be nice to anyone.
Yes, he did, she thought. For the next few days her boundaries needed to shift. Not to be taken away, she reminded herself hastily. Just moved a little. She needed to stop thinking about him as her boss and start thinking about him as someone who should be grateful to her for providing emergency accommodation.
