
Why had Nelio been lying on the stage in the spotlight? What had happened in the empty theatre the night before? Who had shot him? I climbed on to the stage and could see the dark patch of blood. It was real blood, not a theatrical illusion left over from some previous performance.
My thoughts were interrupted by Cashilda, whose dim eyes had caught sight of me. She thought I was one of the actors and that the rehearsals were about to begin. She always talked very loudly because she was deaf, and she started shouting her apologies because she hadn't yet finished the cleaning.
'It doesn't matter,' I shouted back. 'I'm not an actor. I'm a baker.'
But she didn't understand what I said. To her, I was an actor who had arrived early. I left the stage and went back to the roof. Nelio was still asleep. I thought I should put a new bandage on his chest, but I didn't want to touch him; I didn't want to wake him. I sat in the shadow of one of the chimneys and gazed out over the city. From far off came the sounds of all those people who for one more day were doing their utmost to survive.
I saw before me all the thousands upon thousands of people who, with clenched teeth, were holding on to the futile dream that today, in spite of everything, things might be a little better than the day that had just passed. At the same time I wanted them to stop for a moment and think: right now up on Dona Esmeralda's roof a boy lies dying.
