
It was late that night when Nelio took up his story again. By this time I had told my dough mixer to go home, and everything was set for a lonely shift in the bakery; no one seemed to have any idea that my thoughts were far away from the ovens, up on the roof, where Nelio lay.
But there was one thing that had happened during the day which I realised had something to do with Nelio's gunshot wounds. Rosa, one of the enticing girls who sold the bread we baked, pointed out that a group of street kids who usually hung around the theatre and the bakery had disappeared. I went out to the street, and saw at once that it was Nelio's group that had gone. I asked one of the other boys, who for some reason was called Nose, whether he knew where they were.
'They're gone,' was all he said.
Gone. Maybe they had found a better street. With more expensive cars that would pay better if they made them dirty and then washed them clean.
I can't honestly say whether it was my curiosity or my concern for Nelio that was stronger. But as my ancestors are my witness, I hope it was my concern. That night I couldn't help asking him about what had happened. Nelio didn't seem surprised by my question. His answer was firm yet evasive.
'I haven't got as far as that yet,' he said. 'I haven't even arrived in the city yet.'
Then he looked me right in the eye, and he spoke as if he were a wise old man, not the pale and emaciated ten-year-old who was lying before me on the filthy mattress I had found one day next to a rubbish bin.
