Collinson exits through the arched, glittering doorway of Madam Luck. I check my watch: 01:23. Later than usual. Must have been on a winning streak. Letting myself out of the apartment, careful not to leave any trace, I slip down the stairs and tag Basil as he turns the corner at the end of the street. He’s alone, which is a bonus. A companion would have complicated things. Now it’s simply a case of picking the ideal moment to strike.

Keeping to the sides, stepping over broken glass and sleeping bums, I close on Collinson, unseen, unheard, a child of the shadows. Ahead, my prey hums and clicks his fingers in time to the tune. Chances are he wouldn’t hear me even if he weren’t so self-absorbed. I’ve had nine years of practice. Only the very rare victim sees or hears me coming. To the rest I materialize out of the night like the monsters they were told not to fear when they were children.

Basil turns onto Hodgson Street. Angling for the Nevermind club—’90s retro. He’ll have to detour through Steine Avenue. The lights are inadequate there at the best of times. Useless these last four nights, since vandals smashed two of the lamps. That’s where I’ll take him.

I get close enough to Basil to identify the tune he’s humming. Dylan’s “Like a Rolling Stone.” A good song, and he carries it well, but I turn a deaf ear to it. Can’t afford to think of him as human. He’s a pimp, a killer, prey. I’m Paucar Wami, self-appointed executioner. I show no mercy. Fuck his taste in music.

Collinson hits the darkened Steine Avenue. Picking up speed, I stroke the varnished human finger hanging by a chain from my neck and slip up silently behind him, sliding a long curved knife from my belt. The blade’s freshly honed. I take no chances. Murder’s messy if you don’t put your target down with a single swipe.