
The music stopped.
"This is Tober land," I said. The Patriarch had used the same words to repel the Pagans during the Harsh Purification — saying the words made me feel like I wasn't just carrying the spear for show. "Take yourself and your ways," I recited, "and slink back to the pits of iniquity. You are damned, and your smell offends me."
"The gracious welcome I expected," a voice sneered back. "Thank you." I couldn't tell whether the speaker was male or female, and there was none of the nasalness of a Southern accent.
"Who are you?" I asked.
The only answer was a loud thrashing of reeds. I covered my eyes quickly, expecting the stranger to burst through the wall of rushes; but the noise plunged off in the opposite direction. I held my breath as I listened to it recede.
The stillness of the night seeped back in: no sound but crickets chirping, frogs chugging, and hundreds of dragonflies buzzing around the flats. Cautiously, I parted the bulrushes, ready to avert my eyes if the stranger returned.
In the middle of the flats, a fire sputtered on the muddy ground. By its light, I could see footprints everywhere: boots with leather soles that left sharp outlines — city boots, unlike the moccasins worn by everybody local. Judging from the quantity of tracks, I guessed the unknown violinist had been here for hours, but I saw no sign that he or she had intended to stay the night. There was no tent, no gear, nothing but the fire… as if the stranger had been ready to pick up and run as soon as someone came to investigate the music.
