At that moment, the Chatterley Heights Gospel Chorus erupted into deafening four-part harmony. Except Chatterley Heights didn’t have a gospel chorus, and it was barely past four o’clock in the morning.

This was vintage Maddie. Her aunt Sadie, who’d raised her, used to complain that Maddie would awaken with a masterpiece in mind for the school bake sale, pay no attention to the time, run down to the kitchen—oblivious to the absence of sunlight—and jump headfirst into her project. Never mind that someone might be in hearing distance, trying to complete an adequate night’s sleep. Only she’d never before pulled this stunt in The Gingerbread House.

On the plus side, Maddie was responsible for several wildly creative ideas that had already made The Gingerbread House a shopping destination for customers from DC and Baltimore. Everyone loved her, and she was fun to work with. Most of the time.

Olivia grabbed her keys from the kitchen wall hook and draped them over the waistband of the sweatpants she’d worn to bed. She would simply explain to Maddie that most people don’t find loud music conducive to slumber, they would come to an agreement, and Olivia could enjoy another few hours of sleep.

First, she stopped at her bathroom to splash some cold water on her face. It didn’t help. The woman she saw in the mirror had sleep-crusted bluish gray eyes, one creased cheek, and serious bed hair. She consoled herself with the thought that she looked terrifying.

Olivia’s laceless sneakers flopped as she trudged down the stairs to unlock her front door, which opened into the house’s original entryway. A wealthy Baltimore family had built the little Queen Anne in 1889 as a summer getaway.



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