
But despite all these cunning touches, a bare stage can hold only a limited amount of interest in the absence of any human participants to provide some dramatic point.
And here, after what seems in retrospect a perfectly judged delay, they come.
However, it is immediately clear that these are merely extras, a sort of mobile extension of the set who will fill in with some optional business the director has dreamt up before the action proper begins. In keeping with the tone of gritty realism already established, they are dressed as garbage collectors, in blue overalls, stout gloves and boots. Following a large orange truck marked Comune di Napoli, they make their way steadily down Via Strozzi, emptying the stacked bins and plastic bags of refuse, before turning right into the smaller side-street.
But now at long last one of the principals enters, not through one of the doorways but from a ramp cleverly hidden between two sections of the backdrop representing a modern apartment building to the left of Via Greco, up on the rise opposite the high wall of tufa, above which stand the gardens of an imposing villa higher up the hillside.
Despite his evident star status, he is unprepossessing in appearance. The air is mild, even at this early hour, but he is bundled up in an expensive-looking overcoat, leather gloves and a tartan scarf. In one hand he carries an executive briefcase, in the other a set of keys. He strides towards the ranks of parked cars, actuating an electronic device attached to the key-chain. One of the vehicles — a silver-grey Alfa Romeo — responds with flashing indicator lights and a series of enthusiastic beeps.
And now something strange happens, something as uncanny and yet effortless as a modulation into some remote key. To reach his car, the man must pass the orange truck heading towards the communal garbage skip outside the apartment building from which he has just emerged. As he does so, he finds his way obstructed by two of the crew who are walking alongside the truck in the narrow alley left free between the parked cars.
