"Like hell it is," said Willard. "I'm about to die, and there's nothing great about it."

"You don't really believe that, Mr. Crane," the alien said. "None of you do. Your lives are built around death, glorifying it. Postponing it as long as possible, to be sure, but glorifying it. In the earliest literature, the death of the hero is the moment of greatest climax. The most potent myth."

"Those poems weren't written by old men with flabby bodies and hearts that only beat when they feel like it."

"Nonsense. Everything you do smacks of death. Your poems have beginnings and endings, and structures that limit the work. Your paintings have edges, marking off where the beauty begins and ends. Your sculptures isolate a moment in time. Your music starts and finishes. All that you do is mortal-- it is all born. It all dies. And yet you struggle against mortality and have overcome it, building up tremendous stores of shared knowledge through your finite books and your finite words. You put frames on everything."

"Mass insanity, then. But it explains nothing about why you worship. You must come here to mock us."

"Not to mock you. To envy you."

"Then die. I assume that your protoplasm or whatever is vulnerable."

"You don't understand. A human being can die-- after he has reproduced-- and all that he knew and all that he has will live on after him. But if I die, I cannot reproduce. My knowledge dies with me. An awesome responsibility. We cannot assume it. I am all the paintings and writings and songs of a million generations. To die would be the death of a civilization. You have cast yourselves free of life and achieved greatness.

"And that's why you come here."