Finally she had to stop looking at the pictures. It bothered her too much, it was bad for her; she was beginning to have nightmares in which he was coming through the French doors of her mother’s house in his shabby jacket, carrying a packsack and a rifle and a huge bouquet of richly coloured flowers. He was smiling in the same way but with blood streaked over his face, partly blotting out the features. She gave her television set away and took to reading nineteenth-century novels instead; Trollope and Galsworthy were her favourites. When, despite herself, she would think about him, she would tell herself that he had been crafty and agile-minded enough to survive, more or less, in her country, so surely he would be able to do it in his own, where he knew the language. She could not see him in the army, on either side; he wasn’t the type; and to her knowledge he had not believed in any particular ideology. He would be something nondescript, something in the background, like herself. Perhaps he had become an interpreter.

Polarities

Gentle and just pleasureIt is, being human, to have won from spaceThis unchill, habitable interior…—Margaret Avison, “New Year’s Poem”

He hadn’t seen her around for a week, which was unusual: he asked her if she’d been sick. “No,” she said, “working.” She always spoke of what she had been doing with organizational, almost military briskness. She had a little packsack in which she carried around her books and notebooks. To Morrison, whose mind shambled from one thing to another, picking up, fingering, setting down, she was a small model of the kind of efficiency he ought to be displaying more of. Perhaps that was why he had never wanted to touch her: he liked women who were not necessarily more stupid but lazier than himself. Sloth aroused him: a girl’s unwashed dishes were an invitation to laxity and indulgence.



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