
“It’s right here,” she said; he had been driving past it. He crunched the car to a halt, fender against the rockbank, snowbank. Here they did not take the snow away; they spread sand on it, layer by layer as it fell, confident there would be no thaw.
“It’s finished; you can come in and see it,” she said, suggesting but really demanding.
“What’s finished?” he asked. He hadn’t been paying attention.
“I told you. My place, my apartment, that’s what I’ve been working on.”
The house was one of the featureless two-storey boxes thrown up by the streetful in the years after the war when there was a housing boom and materials were scarce. It was stuccoed with a greyish gravel Morrison found spiritually depleting. There were a few older houses, but they were quickly being torn down by developers; soon the city would have no visible past at all. Everything else was highrises, or worse, low barrack-shaped multiple housing units, cheaply tacked together. Sometimes the rows of flimsy buildings—snow on their roofs, rootless white faces peering suspiciously out through their windows, kids’ toys scattered like trash on the Walks—reminded him of old photographs he had seen of mining camps. They were the houses of people who did not expect to be living in them for long.
