There was a gunman in the alley and two on the stairs. He was trapped. He was dead.

Sure, Raeder thought, he still moved and breathed, but that was only because of death’s inefficiency. Death would take care of him in a few minutes. Death would poke holes in his face and body, artistically dab his clothes with blood, arrange his limbs in some grotesque position of the graveyard ballet…

Raeder bit his lip sharply. He wanted to live. There had to be a way.

He rolled onto his stomach and surveyed the dingy cold-water apartment into which the killers had driven him. It was a perfect little one-room coffin. It had a door, which was watched, and a fire escape, which was watched. And it had a tiny windowless bathroom.

He crawled to the bathroom and stood up. There was a ragged hole in the ceiling, almost four inches wide. If he could enlarge it, crawl through into the apartment above…

He heard a muffled thud. The killers were impatient. They were beginning to break down the door.

He studied the hole in the ceiling. No use even considering it. He could never enlarge it in time.

They were smashing against the door, grunting each time they struck. Soon the lock would tear out, or the hinges would pull out of the rotting wood. The door would go down, and the two blank-faced men would enter, dusting off their jackets…

But surely someone would help him! He took the tiny television set from his pocket. The picture was blurred, and he didn’t bother to adjust it. The audio was clear and precise.

He listened to the well-modulated voice of Mike Terry addressing his vast audience.

“… terrible spot,” Terry was saying. “Yes, folks, Jim Raeder is in a truly terrible predicament. He had been hiding, you’ll remember, in a third-rate Broadway hotel under an assumed name. It seemed safe enough. But the bellhop recognized him, and gave that information to the Thompson gang.”