When her father had assigned her the project at Castle Cnoc, she’d looked at it as both punishment and reward. It was her first project as manager, solely in charge of a five-million-dollar budget and pleasing one of her father’s wealthy clients. It was also a way of putting her firmly into her place at Kencor.

She’d been doggedly scratching her way up the corporate ladder of her family’s multimillion dollar real estate development firm, working hard to carve out a place for herself. But with four equally driven and talented older brothers above her on the ladder, just the process of getting noticed was impossible.

She’d begged for good projects to manage, but had always been given a secondary role, usually as the interior designer, for projects that her brothers headed. She’d been sent to Ireland to oversee the restoration of a once grand manor house and castle keep, because no one else could be bothered to come. They were all too busy with hotels and shopping malls and office towers.

“Whistler Cottage.” No street, no number, just a name. Jordan studied the map. “Behind the bakery and up the hill to the blue cottage,” she read. The bakery was easy enough to find and when she did, Jordan parked her car, grabbed her bag and jumped out of the vehicle.

There were blacksmiths scattered all over Ireland, their skills ranging from amateur to competent artisan. But Danny Quinn was known as one of the best ornamental blacksmiths in the country, a true artist, and she intended to hire him for her project.

His brother, Kellan, had served as the architect on the Castle Cnoc restoration and Jordan had assumed that Danny would jump at a big-budget job so close to home. But he hadn’t returned any of her calls. So Jordan had decided to force the issue. She needed an answer, one way or another, or she’d be put off schedule.