Moonie got busy with the first five-gallon can of gasoline, pouring it around the basement, around the bags, soaking the old man with it, the unused wooden canning racks, the seldom used workbench, the stack of aging wooden lawn chairs, and then up the stairs. The old man began thrashing again. Moaning, "Please…"

The first few splashes of gasoline smelled good, like the shot you got when you were pumping gas into your car; but down in the enclosed space, five gallons of gas, the fumes got stiff in a hurry.

"Don't die on me. Wait for the fire," Moonie called, backing up the stairs, splashing gas along the steps. The second can was poured more judiciously around the first floor, soaking into the Persian carpets, leaking around the legs of the Steinway grand piano, flowing into the closets. When two-thirds of it was gone, Moonie backed through the kitchen, where the first can, now empty, waited. Moonie would take them. No point in making the arson obvious, though the police would probably figure it out soon enough.

A driving rain beat against the kitchen windows. Ideally, Moonie would have preferred to trail the gas out into the yard, and to touch it off from a distance. With the rain, though, that would be difficult. The rain would wash the gas away as quickly as it was poured. So it would have to be kept inside. A small risk…the fumes boiled unseen around the killer's ankles, flowing into every nook and cranny.

At the kitchen door, Moonie splashed out a final pool of gas; stopped and looked into the house. The place was huge, expensive, and a wreck. The old man's housekeeper came in twice a week, did some dishes, washed some clothes; but she didn't do carpentry, wiring, or plumbing, and the house needed all of it, along with a wide-spectrum exterminator. There were bugs in the basement and bats in the belfry, the killer thought, and then, giggling now, a nut in the kitchen.



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