But from the scraps of conversation — eaten alive, night of the living dead — and edgy laughter he caught, Justin assumed some channel was showing a Hallowe’en horror retrospective. The holiday fell next week and he’d been meaning to get some candy. You ought to have something to offer trick-or-treaters if you were going to invite them in.

He heard a newscaster’s voice saying, ‘This has been a special report. We’ll keep you informed throughout the evening as more information becomes available. ’ Could that be part of a horror filmfest? A fake, maybe, like that radio broadcast in the thirties that had driven people to slit their wrists. They’d been afraid of Martians, Justin remembered. He downed the last of his own martian and left the bar. He didn’t care about the news. He would be making his own living dead tonight.

The Wounded Stag had no TV. Pictures were passé here, best left to that stillborn golden calf that was the other Hollywood. Sound was the thing, pounds and pounds of it pushing against the eardrums, saturating the brain, making the very skin feel tender and bruised if you withstood it long enough. Beyond headache lay transcendence.

The music at the Stag was mostly psycho-industrial, Skinny Puppy and Einstürzende Neubaten and Ministry, the Butthole Surfers and Nine Inch Nails and My Bloody Valentine. Justin liked the names of the bands better than he liked the music. The only time they played Sinatra here was at closing hour, when they wanted to drive people out.

But the Stag was where the truly beautiful boys came, the drop-dead boys who could get away with shaving half their hair and dyeing the other half dead black or lurid violet, or wearing it long and stringy and filthy, or piercing their faces twenty times.