Clifford Haddon paused in mid-sentence, placed his glass of Scotch on the side table, and rose to shut the windows behind him. Even with them closed, the din was maddening. Eighteen years in Egypt and he had yet to get used to the unremitting noise. When he’d first started at Horizon House, the nights had been almost tolerable, but ever since some public-relations wunderkind had come up with those unspeakable sound-and-light shows at Karnak and Luxor Temple- one three-quarters of a mile north of Horizon House, the other three-quarters of a mile south-the racket along the Corniche was unending from morning till midnight. If you asked him, Luxor’s traffic was as deafening as Cairo’s and getting worse all the time.

He snorted. The Egyptian view of automobile horns, as conveniently fatalistic as the Egyptian view of everything else, was that they were meant to be used, or else why have them? And use them they did, with a vengeance. No polite little bip-bips on the streets of Luxor or Cairo or Alexandria. Six endless, excruciating seconds-that was the mean time any individual horn blared; he knew because he had taken the time to establish it empirically. They blew their precious horns on any pretext whatever: to let off steam, to express high spirits, to impress other drivers, to intimidate those pedestrians foolish or desperate enough to try make it from one curb to the other, and, he had no doubt, to satisfy the universal desire to add their two cents to the general pandemonium lest Allah not mark their presence.

He returned to his chair and resumed his seat. “Have you ever thought,” he mused to the three people seated in armchairs near the fireless fireplace in the austere, vaguely baronial room known as the gallery, “what a wonderful country Egypt would be-”