I had over two hundred rejections for the first Anita Blake novel. They were the nicest rejections, with editors suggesting other publishing houses to send it to, but they, themselves, couldn't figure out how to market it. When I got that first three book contract, I remember thinking, "Well, at least I'll get to write three of them." I actually did think I had at least ten books in Anita and her world, but I don't think anyone can plan to write twenty-one novels in a series and still be excited about starting the twenty-second.

Did you ever dream paranormal would be this hot?

LKH: I remember being told that mixed genre didn't sell, before the term paranormal became a genre. I was also told that no one wanted to read about vampires. More than one editor told me that particular monster was dead and gone. I thought there was life left in the old legends, but I never saw this level of popularity coming.

CH: Yes, even my agent didn't expect Dead Until Dark would be an easy sel , maybe especial y since my books contained a lot of humor.

Vampires were passé, and books that crossed genres (Except for yours: I think you had three or four books out when I wrote the first Sookie, and I was so glad to discover them!) were cal ed "unshelvable.’ I could never have anticipated shelves and shelves of cross-genre books.

Does fan response play a part in your planning process?

CH: Not in the sense of changing plot direction in my novels. This is my story to tell, and I have to write it the way I see it. But every now and then when reader response to a character is unexpectedly enthusiastic--or the opposite--I'll take a second look at that character to see why he/she is coming across in a way I didn't expect or anticipate.