The biggest challenge for the sex scenes is that sex is a very personal and individual activity, so I have the same girl involved, but different men and I want each man’s style to be unique. Relationship drama? Yuck, can I just say, yuck again? This kind of drama isn’t fun in real life and the only thing that makes fictional relationship drama tolerable is that it’s fictional, and I’m not having to endure it in my real life, but other than that it sucks just as much. It also tends to complicate my life as a writer, because almost nothing screws up a story arc like relationship choices, though I have had action scenes go so differently from what I’d planned that an entire third of a book had to be thrown out. It was a better book for it, but still, near deadline that was hard.

What’s the hardest thing about writing such a long running series?

LKH: The beginning of the book is easy, because you always want that to be interesting and lure in both old and new readers. It’s the middle of the book that becomes more complicated. As a writer you always have to think that you may have brand new readers picking up your book, so you have to explain the characters, the world, everything, but you don’t want to over explain to the long time readers. The other problem with a series is that each book needs to stand alone as much as possible, but you also want character growth and world development from novel to novel, so again, it’s a balancing act. I make sure that each opening is different enough that you won’t be left wondering, did I read that already.

It’s an issue I’ve had with other series that I read. It gets very challenging when you get in double digits to make everything fresh, but familiar. I’m lucky that I’m still discovering new things about Anita, Jean-Claude, Edward, Nathaniel, everyone, and the world continues to grow and surprise me. My fictional world is like the real one, I never know quite what’s coming next.