Her name was Diana Kadany. A house guest at Lily's cabin might be anyone from a tired-out social worker to a famous composer of the kind of music I can get along without. That year there were three, counting me, which was par. Discussing Diana Kadany one day when we were up at the second pool getting trout for supper, I had guessed she was twenty-two and Lily had guessed twenty-five. She had made a sort of a hit the previous winter in an off-Broadway play entitled Not Me You Don't, the kind of play that would go fine with music by that famous composer I mentioned, and she had been invited to Montana only because Lily, having helped stake the play, was curious about her. Of course that was risky, taking on a question mark for a month, but it hadn't been too bad. It was only a minor nuisance that she practiced being seductive with any male who happened to be handy. Of course Wade Worthy and I were the handiest.

As I crossed the big room to the door to my room, the one at the far right, Wade Worthy was at the table in the corner, banging away on the Underwood. He was the other guest, but a special kind of guest. He was doing a job. For two years Lily had collected material about her father, and when there was about half a ton of it she had started looking for someone to write the book, thinking that with the help of a friend of hers who was an editor at the Parthenon Press it might take a week. It had taken nearly three months. Of the first twenty-two professional authors considered, three were busy writing books, four were getting ready to, two were in hospitals, one was too mad about Vietnam to talk about anything else, three were out of the country, one was experimenting with LSD, two were Republicans and wouldn't write the kind of book Lily had in mind about a Tammany Hall man who had made a pile building sewers and laying pavements, one wanted a year to decide, three said they weren't interested without giving a reason, one was trying to make up his mind whether to switch to fiction, and one was drunk.