Her husband had given her the wonderful dressing-case that appeared later, in the first financial crisis after Roberta met them. There were many parcels, arrived that day from England, and Lady Charles opened them in a vague pleased manner, saying of each one that it was “great fun,” or “charming,” and exclaiming from time to time: “How kind of Aunt M.!” “How kind of George!” “How kind of the Gabriels!” The Gabriels had sent her a bracelet and she looked up from the cards and said: “Charlie, it’s from both of them. They must have patched it up.”

“The bracelet, darling?” asked Henry.

“No, the quarrel. Charlie, I suppose that, after all, Violet can’t be going to divorce him.”

“They’ll have six odious sons, Imogen,” said Lord Charles, “and I shall never, never have any money. How she can put up with Gabriel! Of course she’s mad.”

“I understand Gabriel had her locked up in a nursing-home last year, but evidently she’s loose again.”

“Gabriel’s our uncle,” explained Henry, smiling at Roberta. “He’s a revolting man.”

“I don’t think he’s so bad,” murmured Lady Charles, trying on the bracelet.

“Mummy, he’s the End,” said Frid, and the twins groaned in unison from the sofa. “The End,” they said, and Colin added: “Last, loathsomest, lousiest, execrable apart.”

“Doesn’t scan,” said Frid.

“Mummy,” asked Patch who was under the piano with Mike, “who’s lousy? Is it Uncle Gabriel?”

“Not really, darling,” said Lady Charles, who had opened another parcel. “Oh, Charlie, look! It’s from Auntie Kit. She’s knitted it herself, of course. What can it be?”

“Dear Aunt Kit!” said Henry. And to Roberta: “She wears buttoned-up boots and talks in a whisper.”

“She’s Mummy’s second cousin and Daddy’s aunt. Mummy and Daddy are relations in a weird sort of way,” said Frid.