South China Morning Post, 4/29/93

Reddi Kilowatt's Singapore looks like an infinitely more liveable version of convention-zone Atlanta , with every third building supplied with a festive party-hat by the designer of Loew's Chinese Theater. Rococo pagodas perch atop slippery-flanked megastructures concealing enough cubic footage of atria to make up a couple of good-sized Lagrangian-5 colonies. Along Orchard Road , the Fifth Avenue of Southeast Asia, chocka-block with multi-level shopping centers, a burgeoning middle class shops ceaselessly. Young, for the most part, and clad in computer-weathered cottons from the local Gap clone, they're a handsome populace; they look good in their shorts and Reeboks and Matsuda shades.

There is less in the way of alternative, let alone dissident style in Singapore than in any city I have ever visited. I did once see two young Malayan men clad in basic, global, heavy metal black - jeans and T-shirts and waist-length hair. One's T-shirt was embroidered with the Rastafarian colors, causing me to think its owner must have balls the size of durian fruit, or else be flat-out suicidal, or possibly both. But they were it, really, for overt boho style. (I didn't see a single "bad" girl in Singapore. And I missed her.) A thorough scan of available tapes and

CDs confirmed a pop diet of such profound middle-of-the-road blandness that one could easily imagine the stock had been vetted by Mormon missionaries.

"You wouldn't have any Shonen Knife, would you?"

"Sir, this is a music shop."

Although you don't need Mormons making sure your pop is squeaky-clean when you have the Undesirable Propagation Unit (UPU), one of several bodies of official censors. (I can't say with any certainty that the UPU, specifically, censors Singapore