'You ain't got a gun. You sonofabitch. You lied,' He said.

'Let's take a walk,' I said, lifting him up by one arm. 'Don't worry about Clete. He's just going to finish his drink and follow us outside. Believe it or not, there're cops out there who were willing to drop one of their own kind, just to protect you. Makes you proud to be a taxpayer, I bet.'

'Get your hand off my arm,' he said when we reached the door.

Batist and I stayed overnight in a guesthouse on Prytania, one block from St. Charles. The sky was red at sunrise, the air thick with the angry cries of blue jays in the hot shade outside the French doors. Nate Baxter had held Clete for disturbing the peace, but the Caluccis never showed up in the morning to file assault charges, and Clete was kicked loose without even going to arraignment.

Batist and I had beignets and café au lait in the Café du Monde across from Jackson Square. The wind was warm off the river behind us, the sun bright on the banana and myrtle trees inside the square, and water sprinklers ticked along the black piked fences that bordered the grass and separated it from the sidewalk artists and the rows of shops under the old iron colonnades. I left Batist in the café and walked through the square, past St. Louis Cathedral, where street musicians were already setting up in the shade, and up St. Ann toward Clete's private investigator's office.

Morning was always the best time to walk in the Quarter. The streets were still deep in shadow, and the water from the previous night's rain leaked from the wood shutters down the pastel sides of the buildings, and you could smell coffee and fresh-baked bread in the small grocery stores and the dank, cool odor of wild spearmint and old brick in the passageways. Every scrolled-iron balcony along the street seemed overgrown with a tangle of potted roses, bougainvillea, azaleas, and flaming hibiscus, and the moment could be so perfect that you felt you had stepped inside an Utrillo painting.