He had not been blameless in the breakup of their marriage, and they’d both been young, just beginning to discover what they wanted out of life. But he could imagine no excuse for Ian McClellan’s behavior-and what sort of man, he wondered, would go off without a word to his son?

“My biography,” Vic answered. “That’s what I’ve been working on this last year. A biography of Lydia Brooke.” She reached up and switched on the reading lamp beside her chair, casting her face into shadow and illuminating her hands as they clasped the teacup in her lap. “Ian said he’d been displaced, and I suppose in a way it’s true. Men-I don’t like men very much these days. They want you to be brilliant and successful, just as long as it doesn’t take any of your attention away from them and their needs. And as long as your accomplishments don’t outshine theirs, of course.” She looked up at him and smiled.

“I sound an awful bitch, don’t I? I’m generalizing, and I know there are men capable of more, but I’m beginning to think they’re the exception. Ian didn’t start on the graduate students until my salary equaled his.” Her mouth twisted in disgust and she shook her head. “Never mind. What do you know about Lydia Brooke?”

Frowning, he searched his memory, turning up a vague recollection of slim volumes on the shelf in his parents’ bookshop. “A Cambridge poet, a sort of symbol of the sixties… She died quite recently, I think. Wasn’t she related to Rupert Brooke?”

“She was obsessed with Rupert Brooke when she came up to Cambridge. Whether or not she was related to him is another matter entirely.” Vic shifted in her seat so that the light fell across her face again. “And you’re right, Lydia did burst upon the scene in the mid-sixties. Her poems were full of an aching disenchantment, and I suppose they touched something particular in that generation. After a disastrous marriage, she tried suicide, but recovered. She attempted suicide again in her early thirties, then finally, five years ago, she succeeded. She was forty-seven.”