
Not only does Uncle John fall in love with the young girl he should be protecting, but he showers her with, and I quote from the play’s stage directions, “wonderful presents—a pearl necklace, diamond ear-rings.”
So it is little wonder that when the expensive bracelet, meant for Ellen, showed up at Tavistock House, Catherine, between pregnancies, roused herself from her vague-minded shuffling sluggishness and bellowed like a milk cow with a Welsh dairyman’s prod between her withers.
Dickens responded as any guilty husband would. But only if that husband happened to be the most popular writer in all of England and the English-speaking world and perhaps the greatest writer who ever lived.
First, he insisted that Catherine make a social call on Ellen Ternan and Ellen’s mother, showing everyone that there could be no hint of suspicion or jealousy on his wife’s part. In essence, Dickens was demanding that his wife publicly apologise to his mistress—or at least to the woman he would soon choose to be his mistress when he worked up the courage to make the arrangements. Weeping, miserable, Catherine did as she was bid. She humiliated herself by making a social call on Ellen and Mrs Ternan.
It was not enough to assuage Dickens’s fury. He cast the mother of his ten children out.
