An Old One. How could he know this? No one had ever seen an Old One. Only here and there, in some sheltered cave, was there found some inexplicable relic of their time upon the earth. Da'aqebla had only three such relics, and Da'aqebla was one of the oldest villages. How could he dare to tell the ladies of the village that this grotesque, malformed head that he was shaping was an Old One? They would laugh at him. No, they would be outraged that he would think they were foolish enough to believe such a nonsensical claim. How can we judge your sculpture, if you insist on shaping something that has never been seen by any living soul? You might have done better to leave the clay in a shapeless ball and say that it was a sculpture of a river stone!

Despite his doubts, his hands and fingers moved. He knew, without knowing how he knew, that there must be hair on the bony ridge over the eyes, that the fur of the head must be long, that there must be a depression centered under the nose and leading down to the lip. And when he was through, he did not know how he knew that it was finished. He contemplated what he had made and was appalled by it. It was ugly, strange, and far too large. Yet this way how it had to be.

What have you done to me, O gods?

He still sat, contemplating the head of the Old One, when the ladies came soaring, swooping down to the riverbank. At the fringes were the men whose sculptures had already been seen. Kiti knew them all, of course, and could easily guess at what their work was like. A couple of them were husbands, and because their lady was married to them for life their sculptures were no longer in competition with the others. Some of them were young, like Kiti, offering sculptures for the first time-and from their slightly hangdog expressions, Kiti could tell that they hadn't made the impression that they hoped for.