
Ruth Dershowitz was lying naked in the bow of Saxby Lights’s eighteen-foot runabout. (Actually, the boat belonged to his mother, as did everything else in and attached to the big house on Tupelo Island.) Saxby was stretched out beside her, the drowsy flat of his cheek pressed to the swell of her breast. Each time the boat dipped beneath her, the friction of his fashionable stubble sent small fires burning all the way down to her toes. Five minutes earlier Saxby had knelt before her, adjusted her hips on the broad, flat plank of the seat, stroked open her thighs and moved himself into her. Ten minutes before that she’d watched him grow hard in the dimming light as he sat across from her and tried, unsuccessfully, to inflate a plastic air mattress to cushion them. She’d watched him, bemused and excited, until finally she’d whispered, “Forget it, Sax—just come over here.” Now he was asleep.
For a while she listened to the water and thought nothing. And then the image of Jane Shine, her enemy, rose up before her and she banished it with a vision of her own inevitable triumph, her own inchoate stories jelling into art, conquering magazines and astonishing the world, and then she was thinking about the big house, thinking about her fellow writers, the sculptors and painters and the single walleyed composer whose music sounded like slow death in the metronome factory. She’d been among them for a week now, one week of an indefinite stay—a succession of months that came alive in her mind, months with little gremlin faces and hunched shoulders, leapfrogging into the glorious, limitless, sunlit and rent-free future. No more waitressing, no more hack work, no more restaurant reviews, Parade banalities or Cosmo dreck on safe sex, sex in the shower or waking up at his house. She could stay as long as she pleased. Stay forever.
