“Hephaestus,” he heard a woman’s voice insinuate.

The name mingled with the call of the clocks, which began to chime and ping and cluck, not quite at once but close, followed a silent moment later by an answering echo from inside the sphere, which caused the man’s paprika-colored face to brighten for an instant. He heaved himself down to the ground, mopping his slick scalp with a handkerchief, and glanced up at the slanting August sun.

“Hephaestus…” he heard his wife, Rapture, call gently again.

The man, who was now standing in the circle of timepieces, looked scrawnier than the bulk of his cranium would have suggested. A scarecrow that had turned into a blacksmith, you might have said, and this would not have been far wrong. His name was Hephaestus Sitturd, and he was indeed skilled as a blacksmith, as well as a wood turner, cooper, tinker, and carpenter of great ingenuity (but no discipline); he was also a middling gunsmith, a dedicated fisherman, a maker of moonshine, a spinner of yarns, and a rhabdomancer (water diviner) of some repute. His white father had been the master mechanic responsible for the operation of a large cotton gin in Virginia until a religious vision prompted a change of career to Baptist preacher, a vagabond calling he set out to pursue with his son Micah Jefferson Sitturd, following the loss of the boy’s mother to peritonitis. This led to various digressions as a keelboat pilot, dance-hall tenor, tent boxer, and garrulous rainmaker. Along the way he met a half-breed Shawnee woman who was related to the great Chief Tecumseh and fathered another son, to whom he gave the name Hephaestus because of one slightly clubbed foot.

This clubfooted boy was the man who now stood in the Ohio sun beside the hollow iron sphere he had forged and hammered together himself. The rainmaker minister and his half-Indian bride were long dead, and Hephaestus had been left with their crumbling ruin of rabbit-weed farm on the outskirts of Zanesville, overlooking the Licking River.