Miss Viola’s cabin had once been one of the more opulent staterooms, but times had not been kind to the owners of the Fidèle and the chamber’s former glamour had faded, so that it now possessed a peeling gaudiness along with a noisy excuse for a brass bed (which William Henry Harrison had once slept in before becoming president). It was the audible complaint of the bedsprings that allowed the boy to wriggle into a position on the floor where he could catch sight of the looking glass, in which the figures of the two adults were partially visible. There he lay, trying hard to hold his breath.

Viola Mercy’s bosom was exposed, her hips arched, providing a tantalizing hint of that taboo passage that led to the secret place within her heart. The gambler still had on his once dapper but now worn britches, and his bull’s blood Spanish leather boots. The sleeve of his frilled shirt drooped down from a chair. His silver hand, however, was hard at work. The dagger that had been projected from the index finger had been replaced by a device of equal length, significantly greater girth, and arguably far more ingenious utility, which St. Ives referred to as the tickler.

The “tickling” went on for a long time, with Miss Viola’s rough whisper rising into what sounded like an asthmatic crisis. The boy had heard a similar sound coming from his mother from time to time, but nothing as both feral and restrained as this. Another scent filled the room, distinct but confused-like wild onions and fish eggs. Then there was a shudder that shook the bed, and Lloyd was sure that he was going to be found out. Instead, St. Ives rolled off and began dismantling his mechanical finger piece.