But one had to admit that this was better than duty at San Carlos: the endless hunting of tulapai stills and carrying back men of your own people who had jumped the reservation. Here, one had the opportunity to track white men. Salvaje’s father had been a Mimbreño war chief; his mother, a Mexican woman taken in a raid on a Chihuahua pueblo. Salvaje had spent the better part of his life making war against his mother’s people and against white men-the good years of riding with Victorio and Delchay, years that could not be compared with this business of recapturing escaped prisoners.

He waited patiently, one thumb hooked in the cartridge bandoleer that crossed his worn cavalry jacket. He was confident that the signal would come, that it was only a matter of time. What else could an escaped man do but go to Pinaleño?-if he had thought about it at all.

And finally the signal did come-a white-gleaming dot in the pines, then the pinpoint flashes, sunlight reflected on a metal disk and sent to him here, miles away, and what Salvaje had known all along was now confirmed.

It blinked once; then three times in quick succession. The escaped man had left the adobe and was riding to the west. His man in the pines would follow now and signal again if the escaped one changed direction.

Salvaje looked at his men. There were ten trackers here, and now he watched them remove their army-issue shirts and pants, stripping to breech-clouts, then slipping on their cartridge bandoleers again. All of them wore curl-toed Apache moccasins folded and tied just below the knee; and to a man they carried single-shot Springfield carbines.

When they were ready, Salvaje nodded, and they moved off to take the escaped man.


Now the sun was directly overhead. Bowen urged the mare over a cutbank, leaning back in the saddle as the crusted sand gave way and followed them down the slope in a thin dust trail. He entered the cover of trees that grew thickly along both sides of the dry creek bed: cottonwood and sycamore and higher up, farther down the draw, black patches of pine shadowing steep shelfrock. In the dimness it seemed more quiet and he stopped to listen before crossing the creek bed to follow its course through the draw.



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