“High and mighty Wampog and fellow-citizens, I have listened attentively to all the plans proposed. All seem wise, and I do not suffer myself to doubt that any one of them would be efficacious. Nevertheless, I cannot help thinking that if we would put an improved breed of polliwogs in our drinking water, construct shallower roadways, groom the street cows, offer the stranger within our gates a free choice between the poniard and the potion, and relinquish our private system of morals, the other measures of public safety would be needless.”
The Aged Man was about to speak further, but the meeting informally adjourned in order to sweep the floor of the temple—for the men of Gakwak are the tidiest housewives in all that province. The last speaker was the broom.
The Critics
While bathing, Antinous was seen by Minerva, who was so enamoured of his beauty that, all armed as she happened to be, she descended from Olympus to woo him; but, unluckily displaying her shield, with the head of Medusa on it, she had the unhappiness to see the beautiful mortal turn to stone from catching a glimpse of it. She straightway ascended to ask Jove to restore him; but before this could be done a Sculptor and a Critic passed that way and espied him.
“This is a very bad Apollo,” said the Sculptor: “the chest is too narrow, and one arm is at least a half-inch shorter than the other. The attitude is unnatural, and I may say impossible. Ah! my friend, you should see my statue of Antinous.”
“In my judgment, the figure,” said the Critic, “is tolerably good, though rather Etrurian, but the expression of the face is decidedly Tuscan, and therefore false to nature. By the way, have you read my work on ‘The Fallaciousness of the Aspectual in Art’?”