Donna Leon


Fatal Remedies

The eighth book in the Guido Brunetti series, 1999

Di questo tradimento

Chi mai sarà I’autor?

Of this treachery,

Who could be the author?

La Clemenza di Tito

Mozart


1

The woman walked quietly into the empty campo. To her left stood the grill-covered windows of a bank, empty and sleeping the well-protected sleep that comes in the early hours of the morning. She crossed to the centre of the campo and stood beside the low-hung iron chains enclosing the monument to Daniele Manin, who had sacrificed himself for the freedom of the city. How fitting, she thought.

She heard a noise to her left and turned towards it, but it was nothing more than one of the Guardia di San Marco and his German shepherd, a gap-mouthed dog that looked too young and too friendly to present any real threat to thieves. If the guard thought it strange to see a middle-aged woman standing still in the middle of Campo Manin at three fifteen in the morning, he gave no sign of it and went about his business of wedging orange paper rectangles into the frames of doors and near the locks of the shops, proof that he had made his rounds and found their premises undisturbed.

When the guard and his dog left, the woman moved away from the low chain and went to stand in front of a large glass display window on the far side of the square. In the dim light from inside she studied the posters, read the prices listed for the various special offers, saw that MasterCard, Visa, and American Express were all accepted. Over her left shoulder, she carried a blue canvas beach bag. She pivoted her body and the weight of what was in the bag swung it round to the front. She set it on the ground, glanced down into it, and reached in with her right hand.



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