Why couldn’t you just decide, you bastards? Decide you were going to replace me, and then let me go home and have my hero’s welcome and then retire to Christchurch and listen to the ringing of the bells to tell me God’s in his heaven and all’s right with the world. You could have left me home with my family, to raise my children, to be there so I could talk Pai out of naming her firstborn son after me.

I could have given all the advice and training you wanted—more than you’d ever use, that’s for sure—and then left the fleet and had some kind of life. But no, I had to leave everything and come out here in this miserable box while you dither.

Mazer noticed that Pai’s face was frozen and she was making no sound. “You stopped the playback,” said Mazer.

“You weren’t paying attention,” said the computer. “This is a visual ansible transmission, and you are required to—”

“I’m watching now,” said Mazer.

Pai’s voice came again, and the visual moved again. “They’re going to slow this down to transmit it to you. But you know all about time dilation. The bandwidth is expensive, too, so I guess I’m done with the visual part of this. I’ve written you a letter, and so have the kids. And Pahu swears that someday he’ll learn to read and write.” She laughed again, looking at someone out of frame. It had to be his son, the baby he had never seen. Tantalizingly close, but not coming into frame. Someone was controlling that. Someone decided not to let him see his son. Graff? How closely was he manipulating this? Or was it Kim who decided? Or Pahu himself?

“Mother has written to you, too. Actually, quite a few letters. She wouldn’t come, though. She doesn’t want you to see her looking so old. But she’s still beautiful, Father. More beautiful than ever, with white hair and—she still loves you. She wants you to remember her younger. She told me once, ‘I was never beautiful, and when I met a man who thought I was, I married him over his most heartfelt objections.’”