The closet contained an old suit of clothes, two overalls, an overcoat, two pairs of shoes, and a felt hat. In the drawers of the bureau which stood between the windows was an assortment-not scanty for a man who had been living on his sister for a year-of shirts, ties, handkerchiefs, socks, and a lot of miscellaneous junk like shoestrings, lead pencils, snapshots, and empty pipe-tobacco cans. In an upper drawer was a bundle of seventeen letters in envelopes all with Italian postage stamps, fastened with a rubber band. Scattered around in the same drawer were receipts and paid bills, a tablet of writing-paper, a few clippings from newspapers and magazines, and a dog collar. On top of the bureau, along with comb and brush and similar impedimenta as Wolfe would say, were half a dozen books, all in Italian except one that was full of pictures and designs, and a big stack of magazines, different monthly issues for three years back all with the same name, Metal Crafts. In the corner by the right window was a plain rough wood table with its top scarred and cut all over, and on it was a small vise, a grinder and buffer with an electric cord long enough to reach the lamp socket, and some more tools like those in the traveling bag. I was looking over the grinder to see how recently it had been used when Maria Maffei came in with the girl.

"This is Anna Fiore," the woman said.

I went over and shook hands with her. She was a homely kid about twenty with skin like stale dough, and she looked like she'd been scared in the cradle and never got over it. I told her my name and said that I had learned from Miss Maffei that she had heard Mr. Maffei answering the phone call before he went out Monday evening. She nodded.

I turned to the woman. "I expect you'd like to get along back uptown, Miss Maffei. Anna and I will get along."