He brushed the dark lock of hair away from his brow where, as always, it fell untidily back again. The reeling of the boat sent the brass lamp above his desk dancing. Max did his best to ignore it. He really had to concentrate on his job. American history professors weren't offered fascinating and lucrative summer employment every day. And there was a very good chance he could get a book out of it.

Being hired as researcher for an eccentric millionaire was the fodder of fiction. In this case, it was fact.

As the ship pitched, Max pressed a hand to his queasy stomach and tried three deep breaths. When that didn't work, he tried concentrating on his good fortune.

The letter from Ellis Caufield had come at a perfect time, just before Max had committed himself to a summer assignment. The offer had been both irresistible and flattering.

In the day–to–day scheme of things, Max didn't consider that he had a reputation. Some well–received articles, a few awards – but that was all within the tight world of academia that Max had happily buried himself in. If he was a good teacher, he felt it was because he received such pleasure from giving both information and appreciation of the past to students so mired in the present.

It had come as a surprise that Caufield, a layman, would have heard of him and would respect him enough to offer him such interesting work.

What was even more exciting than the yacht, the salary and the idea of summering in Bar Harbor, to a man with Maxwell Quartermain's mind–set, was the history in every scrap of paper he'd been assigned to catalogue.

A receipt for a lady's hat, dated 1932. The guest list for a party from 1911. A copy of a repair bill on a 1935 Ford. The handwritten instructions for an herbal remedy for the croup. There were letters written before World War I, newspaper clippings with names like Carnegie and Kennedy, shipping receipts for Chippendale armoires, a Waterford chandelier. Old dance cards, faded recipes.