Smoking, she says, "The nice little old ladies from the West Hills—with their sweater sets and pearls—they're all rabid advocates of the death penalty."

Those green, wooded hills fill the window behind her.

Art and bookshelves fill the walls. The rooms are painted heavy gem colors of deep red and green. Yellow freesia bloom in a vase on the dining room table. In the kitchen, hanging above the sink, is a framed photograph of Kather-ine's maternal grandmother, Tressie, who cooked for a railroad crew, working her way west through the Dakotas at age eighteen.

Katherine's theory is that everyone looking to make a new life migrates west, across America to the Pacific Ocean. Once there, the cheapest city where they can live is Portland. This gives us the most cracked of the crackpots. The misfits among misfits.

"We just accumulate more and more strange people," she says. "All we are are the fugitives and refugees."

In 1989, when she wrote her bestselling novel Geek Love, Katherine set the story in Portland. The novel— about an outcast circus sideshow family who work tohave mutated, birth-defected children to boost their ticket sales—is easily the most famous book that uses the city as a background. Katherine wanted her story set in a place without associations in people's minds.

"When I was a young woman in Paris," she says, "I couldn't walk through the city and see it without seeing it the way the Impressionists did. Because Id seen it through their eyes, it was impossible to see it any other way."

The genesis of Geek Love was here. One day Katherine's seven-year-old son, Ben, refused to walk with her through the International Rose Test Gardens, so she walked alone among the hybrid roses. "I thought to myself, 'These would not have occurred in nature—I should've designed a better child.'"