Leonardo Padura


Havana Black

The second book in the Mario Conde Mystery series, 2006

First published in Spanish as Paisaje de Otoño by Tusquets Editores, S.A., Barcelona, 1998

© Leonardo Padura Fuentes 1998 English translation © Peter Bush 2006

For Ambrosio Fornet, the best reader of the history of

Cuban literature.

For Dashiell Hammett, because of The Maltese Falcon.

For friends, near and far, who are part of this story.

And, happily, for you, Lucía.


Author’s Note

In 1990, when I started to write the novel Pasado Perfecto, Detective Lieutenant Mario Conde, the protagonist of that book, was born. One night a year and a half later, after the novel had been published, the Count whispered something in my ear that, when I’d thought about it for several days, seemed in the end like a good idea: why don’t we write more novels? And we decided to write three other works that, together with Pasado Perfecto (which took place in the winter of 1989), would make up the four season tetralogy of “The Havana Quartet”. And thus were conceived Vientos de cuaresma (spring), Máscaras in the original, Havana Red in the English edition (summer) and this Paisaje de Otoño or Havana Black, which we finished writing in autumn 1997, a few days before the Count’s and my birthday, for we were indeed born on the same day, if not in the same year.

I want to note just two things via this confession: that I owe to the Count (a literary, never real, character) the good fortune to have meandered through a whole year of his life, following his every hesitation and adventure; and that his stories, as I always point out, are fictitious, although they are quite similar to some accounts of reality.



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