Maruchi, the woman in charge of the Boss’s office, had deserted the reception area, and he reckoned she must be on her mid-morning break. He tapped on the glass door, opened it and saw Major Antonio Rangel behind his desk. He was listening carefully to something someone was telling him on the telephone, while stress made him shift his cigar from one side of his mouth to the other. His eyes pointed the Count to the file open on his desk. The lieutenant shut the door and sat opposite his chief, waiting for the conversation to end. The major raised his eyebrows, uttered a laconic “agreed, agreed, yes, this afternoon” and hung up.

He then anxiously examined the battered end of his Davidoff. He had hurt the cigar; cigars are jealous, he used to say, and the taste would certainly no longer be the same. Smoking and looking younger were his two favourite occupations, and he devoted himself to both like a conscientious craftsman. He would proudly announce he was fifty-eight years old, while his face smiled an unwrinkled smile, and he stroked his fakir’s stomach, wore his belt tight, the grey in his sideburns seemingly a youthful caprice, and spent his free late afternoons between swimming pool and squash court, where he also took his cigars for company. And the Count felt deeply envious: he knew that at sixty – if I ever made it – he’d be disagreeably old and arthritic; hence he envied the major’s exuberance, he didn’t even cough on his cigars and into the bargain knew all the tricks to being a good chief who could switch from the very pleasant to the very demanding just like that. The voice is mirror to the soul, the Count always thought when decoding the shades of tone and gravity with which the major layered his conversations. But he now had a damaged Davidoff on his hands and an account to settle with a subordinate, and he switched to one of his worst varieties of tone of voice.