In the spring, her cousin Osric, a portly widower of middle years, came here to occupy the position of bailiff, and he brought with him his two strong sons Edmund and Alfred to toil in my fields as waged farm hands. I cannot say that I like Osric: he may be the most upright, honest, hard-working fellow in Christendom, but he is as dull as unsalted spelt bread. Officious, too, when it comes to his dealings with my villeins. And yet, since his arrival at the manor, he has immeasurably transformed my life for the better. What was once a forlorn, untended estate of weed-choked fields and tumbledown buildings is now a bustling place of industry and plenty. He has collected those rents from my tenants that were long overdue; at harvest time he rose before dawn and chivvied into the fields the villeins of Westbury who owed me week-work, and arranged a modest daily payment for the franklins of the village who did not, but who were prepared to labour on my demesne. He has brought order and prosperity and happiness to the manor — and yet I still cannot like him.

It may be that I do not care for him because he is such an ugly man — round in the middle like a ball, with short arms and stubby fingers, and his face, under a nearly bald scalp, is pinched like a mole’s; his nose is too large, his mouth too small, and an expression of worry permanently haunts his tiny eyes — but I prefer to think it is because he has no music in his soul, no wild untamed joy in his heart.

Nevertheless, Osric’s coming has been a good thing. Last year, a melancholy air had pervaded the manor. Marie and I were both struggling to find a reason to carry on living after the death from a sickness of my son, her husband Rob. God be praised we have a living memory of him in my grandson and namesake Alan, who will be eight years old this Christmas — a healthy, raucous little boy.