Wedged on my right was an abundantly bottomed lady who chomped her pungent breakfast of boiled eggs and bread with noisy gusto. On my left was a man whose eye sockets were empty, with a boy of about eight years old perched on his lap. From the ruggedness of the man’s clothes, his random chants and subservient manner, I could tell that he was a professional beggar. The boy was acting as his eyes and would not have to pay extra since, technically, they shared the same space. So we were four in the back row, sitting in a place prepared for three, which had originally been meant for two.

The combined stench of the beggar’s rags and the woman’s egg almost made my intestines jump past my teeth and onto the floor. I was eager for take-off, and hoped that as the car increased velocity, the pressure would force fresh breeze to diffuse the gas chamber at the back.

‘Bring your money!’ the driver hollered, stretching a cracked palm into the car.

I brought out my wallet from my trouser pocket. I shifted the naira notes aside and gazed at the photograph that I carried wherever I went. It was one of Ola and me with our arms completely wrapped around each other at Mr Bigg’s on Valentine’s Day two years ago. The photograph had been shot by one of those pesky, hawker photographers who hung around restaurants and occasions. At first, I was adamant about not paying, even after the photographer had stood begging for about ten minutes. But when I noticed how much Ola appeared to like the picture, I dipped into what I had reserved for cake and ice cream, and paid for the photographs instead.

Another of Ola’s favourites was one that my father had taken when I was three. Ola had asked my mother for the photo during one of her visits.

‘I love the way you look in it,’ she had said. ‘Like a miniature Albert Einstein. Anybody seeing this photograph can tell that you were destined to be a nerd.’