Consequently, I set about revising and rewriting “The Evidence Exposed,” and what you have here-for the first time-is the new version of that older and far clunkier story.

I'm quite pleased with the way it came out. It has a new point of view and a new victim. And Abinger Manor has a new owner. But the rest of the characters remain the same.

Exposure

When members of the history of british architecture class thought about the Abinger Manor Affair later on, each one of them would say that Sam Cleary had been the likeliest candidate for murder. Now, you might ask yourself why anyone would have wanted to kill a harmless American professor of botany who-on the surface at least-had done nothing more than come to Cambridge University with his wife to take part in a summer session at St. Stephen's College. But that's the crux of the matter, you see, the with his wife part of it. Old Sam-seventy if he was a day and a spiffy dresser with a bent for bow ties and tweeds even in the middle of the hottest summer England had seen in decades-tended to forget that his wedded Frances had come along for the experience as well. And when Sam forgot that Frances was there, his eyes started wandering in order to take a visual sampling of the other ladies. It appeared to be second nature to the fellow.

This visual sampling might have been something that Frances Cleary could have overlooked. Her husband, after all, couldn't be expected to walk around Cambridge with blinders on, and Cambridge in the summer brought out fine ladies like mayflies looking for barbecues.



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