
When I ducked to pass through the access opening in the transverse bulkhead I noticed some words scrawled above and straightened up to read them: 'Don't duck, Okie, you're tough.' I was grinning when I ducked through the hole and straightened up, face to face with a tall white girl in a leather welder's suit.
She was a peroxide blonde with a large-featured, overly made-up face, and she had a large, bright-painted, fleshy mouth, kidney-shaped, thinner in the middle than at the ends. Her big blue babyish eyes were mascaraed like a burlesque queen's and there were tiny wrinkles in their corners and about the flare of her nostrils, calipering down about the edges of her mouth. She looked thirty and well sexed, rife but not quite rotten. She looked as if she might have worked half those years in a cat house, and if she hadn't she must have given a lot of it away.
We stood there for an instant, our eyes locked, before either of us moved; then she deliberately put on a frightened, wideeyed look and backed away from me as if she was scared stiff, as if she was a naked virgin and I was King Kong. It wasn't the first time she had done that. I'd run into her on board a half-dozen times during the past couple of weeks and each time she'd put on that scared-to-death act. I was used to white women doing all sorts of things to tease or annoy the coloured men so I hadn't given it a second thought before.
But now it sent a blinding fury through my brain. Blood rushed to my head like gales of rain and I felt my face burn white-hot. It came up in my eyes and burned at her; she caught it and kept staring at me with that wide-eyed phoney look. Something about her mouth touched it off, a quirk made the curves change as if she got a sexual thrill, and her mascaraed eyelashes fluttered.
