Oh, I’ve witnessed many elements from Homer’s poem that had been poetically misplaced in time, such as the so-called Catalogue of Ships, the assembly and listing of all the Greek forces, which is in Book Two of the Iliad but which I saw take place more than nine years ago during the assembly of this military expedition at Aulis, the strait between Euboea and the Greek mainland. Or the Epipolesis, the review of the army by Agamemnon, which occurs in Book Four of Homer’s epic but which I saw take place shortly after the armies landed here near Ilium. That actual event was followed by what I used to teach as the Teichoskopia, or “View from the Wall,” in which Helen identifies the various Achaean heroes for Priam and the other Trojan leaders. The Teichoskopia appears in Book Three of the poem, but happened shortly after the landing and Epipolesis in the actual unfolding of events.

If there is an actual unfolding of events here.

At any rate, tonight is the assembly at Agamemnon’s tent and the confrontation between Agamemnon and Achilles. This is where the Iliad begins, and it should be the focus of all my energies and professional skills, but the truth is that I don’t really give a shit. Let them posture. Let them bluster. Let Achilles reach for his sword—well, I confess that I’m interested in observing that. Will Athena actually appear to stop him, or was she just a metaphor for Achilles’ common sense kicking in? I’ve waited my entire life to answer such a question and the answer is only minutes away, but, strangely, irrevocably . . . I . . . don’t . . . give . . . a . . . shit.

The nine years of painful rebirth and slow memory return and constant warfare and constant heroic posturing, not to mention my own enslavement by the gods and the Muse, have taken their toll. I’d be just as happy right now if a B-52 appeared and dropped an atomic bomb on both the Greeks and the Trojans. Fuck all these heroes and the wooden chariots they rode in on.