To set down the truth here (as I must be careful to do in every instance whatsoever) it was less impressive than my own palace in Gaon as well, a palace and a manner of living that I am doing my utmost to forget. The core of the house is the ruin of a building of the Vanished People, and is of stone. The remainder is of brick, of which Inclito is extremely proud. Outside, both stone and brick have been covered with stucco and whitewashed; inside one sees the ancient gray stones and the new red bricks. To give the house its due, all the rooms I saw are large and possess a multitude of big windows; the outer walls are curved, for the most part; the interior walls are generally straight. I got the impression that many had been exterior walls in their time, and that new and bigger rooms had been added as the whim seized the owner, or as funds became available.

Despite hair as white as mine, his mother looked younger than I expected, although she is clearly unwell. None of her son's heavy, coarse features can have come from her. Her face is still smooth, and I would call it almond-shaped if it were not for her hollow cheeks; her nose and mouth are small and delicate, the cheekbones delicate too, high and well defined. It is dominated by her large, dark eyes, which might almost be still-living organs in the face of a corpse.

Her granddaughter, Mora, is clearly her father's daughter, too large and too heavy-limbed and thick-waisted to be called attractive. To be fair, she carries herself well, and seems quiet and intelligent. About fifteen.

Her friend Fava is about half her size, looks blond next to Mora, and is quite pretty. Fava is – or at least appears to be – several years younger. At first I thought her nervous and self-effacing.

Inclito's mother welcomed me graciously, apologized for not rising, warned me that we had an hour or so to wait before dinner, and offered me a glass of wine, which I accepted gratefully, and which her son provided.