There is one resort where the town-sports come to spend their evenings, the so-called Recreio Popular. Its principal patrons are seringueiros, or rubber-workers, who have large rolls of money that they are anxious to spend with the least possible effort, and generally get their desire over the gaming boards. The place is furnished with a billiard table and a gramophone with three badly worn records. The billiard table is in constant use by a certain element up to midnight, and so are the three eternal records of the gramophone. It will take me years surrounded by the comforts of civilisation to get those three frightful tunes out of my head, and I do not see how they could fail to drive even the hardened seringueiros to an early grave.

Another resort close by, where the native cachassa is sold, is patronised principally by negroes and half-breeds. Here they play the guitar, in combination with a home-made instrument resembling a mandolin, as accompaniment to a monotonous native song, which is kept up for hours. With the exception of these two places, the village does not furnish any life or local colour after nightfall, the natives spending their time around the mis-treated gramophones, which are found in almost every hut.

The men of the village, unlike the women, are not picturesque in appearance. The officials are well paid, so is everyone else, yet they never think of spending money to improve the looks of the village or even their own. Most of them are ragged. A few exhibit an inadequate elegance, dressed in white suits, derby hats, and very high collars. But in spite of the seeming poverty, there is not a seringueiro who could not at a moment's notice produce a handful of bills that would strike envy to the heart of many prosperous business men of civilisation. The amount will often run into millions of reis; a sum that may take away the breath of a stranger who does not know that one thousand of these Brazilian reis make but thirty cents in our money.