He didn’t exactly boil over, but there was anger there, pulsating just beneath the surface of things.

“All right, so I got out a little later than I’d intended. Have you any idea how much organizing it took? What it cost?”

He stood there, waiting, I think for some gesture from me and when it didn’t come, turned abruptly and walked to the water’s edge. He picked up a stone, pitched it away from him half-heartedly, then slumped down on a rock and sat there gazing into the distance looking strangely dejected. For the first time since I’d known him he seemed his age.

I holstered the Smith and Wesson and squatted beside him. I offered him a cigarette without a word and he refused with a small and peculiarly characteristic gesture of one hand as if brushing something away from him.

“What’s happened, Sean?” I said. “You’re different.”

He moved the sunglasses, ran a hand over his face and smiled faintly, looking out to sea. “When I was your age, Stacey, the future held a kind of infinite promise. Now I’m forty-eight and it’s all somewhere behind me.”

It sounded like the sort of remark he’d spent a lot of careful work on beforehand, a characteristic of the Irish that didn’t just start with Oscar Wilde.

“I get it,” I said. “This is dust and ashes morning.”

He carried straight on as if I hadn’t said a word. “Life has a habit of catching up on all of us sooner or later, I suppose. You wake up one morning and suddenly for the first time ever, you want to know what it’s all about. When you’re on the margin of things like me, it’s probably too late anyway.”

“It’s always too late to ask that kind of question,” I said. “From the day you’re born.”

I was aware of a certain irritation. I didn’t want this sort of conversation and yet here I was in midstream in spite of the faint suspicion I’d had for a while now, where Burke was concerned, that somehow I was being conned, caught in a spider’s web of Irish humbug served up by a talent that wouldn’t have disgraced the Abbey Theatre.