Those who drew me on board were my old mates and daily companions-but they knew me no more than they would have known a traveller from the spirit-land. My hair, which had been raven-black the day before, was as white as you see it now. They say, too, that the whole expression of my countenance had changed. I told them my story-they did not believe it. I now tell it to you-and I can scarcely expect you to put more faith in it than did the merry fishermen of Lofoden.”

On Edgar Allan Poe BY T. JEFFERSON PARKER

Picture my suburban living room in Orange County, California, 1966: an orange carpet, pale turquoise walls, white Naugahyde furniture, white acoustic ceiling, a rabbit-eared black-and-white TV, and a wall-to-wall bookshelf six feet high and stuffed with books.

The bookcase was filled mostly with nonfiction-history and politics and outdoors adventure and travel. But we had Robert Louis Stevenson, and we had Jack London, and we had Edgar Allan Poe.

“Mom, why do we have Poe?” I asked her as a sixth-grader.

“He understood the guilty conscience. Read ‘The Tell-Tale Heart’ and you’ll see what I mean.”

So one evening, a school night, after my homework was done and my half-hour on the TV was over, I turned on the reading lamp and settled into the white Naugahyde recliner and opened Complete Stories of Edgar Allan Poe.

I read “The Tell-Tale Heart” and saw that Mom was right. I suspected that Mr. Poe also understood some things about insanity and murder-how else could he write in the voice of a madman who remembers to use a tub to catch the blood and gore when he “cut[s] off the head and the arms and the legs” of the old man he has murdered and places the parts beneath the floorboards?

I was intrigued. I was exploring a foreign mind. I was transfixed.



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