Throat and chest white gold, shoulders—for he came out of the bag no further just then—darker than the mask, the play of muscles casting small shadows all through his fur. I have seen many foxes, most of them dead in snares, or about to be, but never a fox that rode in a saddlebag like a gamecock or a hunting shukri; and certainly never a fox that looked back at me as though it knew my name, my real name, the one I don’t know. I said, “Karsh. The patron. My master. Karsh won’t.”

“We will see how slow business is,” the black woman said. She gestured for me to mount behind one or the other of her companions, then smiled to see me stand flat-footed, frightened now for the first time and hot with shame to be so. But I was not sharing any saddle with any fox, and it was beyond me to take the least step toward that white, burning woman. Lal’s smile widened, making the corners of her eyes tilt up. “With me, then,” she said, and I scrambled to join her, clinging as though I had never been on a horse before. Her leather garments smelled of weariness and the sea, but under that smell was Lal’s own. I said, “Three miles to the crossroad and a mile west,” and I forgot Marinesha for the rest of that day.

THE INNKEEPER

My name is Karsh. I am not a bad man. I am not a particularly good one, either, though honest enough in my trade. Nor am I at all brave—if I were, I would be some kind of soldier or sailor. And if I could write even such a song as that nonsense about those three women which someone has put my name to, why, then I would be a songwriter, a bard, since I would certainly be fit for nothing else. But what I am fit for is what I am, everything I am. Karsh the innkeeper. Fat Karsh.

They talk foolishness about me now, since those women were here. Since that song. Now I am all mystery, a man from nowhere; now I am indeed supposed to have been a soldier, to have traveled the world, seen terrible things, done terrible things, changed my name and my life to hide from my past.



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